A statue of Hope revives and finds a home for a waif.

The Waif and the Wizard features the same young man who appeared in Undressing Extraordinary (and who might be early filmmaker Walter Booth). It's another early example of a two-shot film along the lines of Paul's earlier film Come Along Do!. The young man plays a magician who, after completing his act, agrees to go home with the young boy from the audience who helped him perform his tricks. At the boy's home he finds a sick sister and a worried mother being threatened with eviction by her landlord.

The love affair of Irish nationalist politician Charles Stewart Parnell with a married woman, Katherine O'Shea.

At the beginning of the scene Romeo in his gondola sings to Juliet a sentimental song, then goes away. Hardly has he departed when the colonnade falls to pieces, disclosing the devil. Juliet, frightened, runs to the window and calls Romeo. The latter attempts to enter and protect his fiancée, but at a gesture from the devil the window is instantly covered with a grating and Romeo makes frantic efforts to break it. The devil begins to dance a wild dance before Juliet, who is beside herself from terror. The devil gradually becomes the size of a giant (a novel effect). Juliet implores the statue of Madonna, which becomes animated, descends from its pedestal, and stretching out its arms orders the devil to disappear. (Méliès Catalog)

Bolt, a British linguist, develops a universal language, so he's a sudden sensation and receives a Nobel prize. An ambitious diplomat, capitalizing on Bolt's celebrity, arranges for the U.S. to commission a statue for a London square to honor Bolt's achievement. Bolt's Italian wife, a renowned artist, sculpts an 18-foot nude of Bolt. In a pique, because he's neglected her for years to do his work, she gives the statue a spectacular phallus, telling Bolt that he wasn't its model. Thinking he's a cuckold, Bolt goes on a jealous search for a man matching the statue. The diplomat, too, wants changes in the statue to protect his conservative image. Can art and love reconcile?

Two lonely strangers meet across a crowded room. It just takes one held look, one breathless moment, to bring them completely alive...literally.

Amara (Maureen Ruby Jackson) has spent a hundred years standing perfectly still in the center of the City Museum. To the tourists, she is just a beautiful statue—but when the clock strikes twelve, she breathes. Amara is a girl of gold and magic who can only stay "awake" as long as there is music playing. As she explores the quiet halls of the museum, she meets other pieces of history that come to life, but she longs to see the stars outside. Featuring magical, orchestral-pop songs and a "frozen-in-time" dance style, Amara is a sparkling adventure about freedom and finding your voice in a world that expects you to stay silent.

Zlatan looks back on his unlikely journey from the clay pitch in Rosengård to being depicted as a statue in shimmering bronze. A journey that is marked by historic goals, wins and trophies in the top echelons of world football but which is just as much about taking one's place in Swedish society. To go one's own way and embrace what is different, a feeling of exclusion and resistance that Zlatan has managed to turn into a driving force throughout his life. Leo Razzak and Nils Andersson's documentary tells the story of a player who has chosen to embrace Sweden, but in a new way. In Zlatan's way.

A young woman's wish that she be able to exchange places with her husband is granted.

Wimpy struggling Greenwich Village painter Tyler Westin is in love with gorgeous, but mean and snippy cabaret dancer Lisa, who treats Tyler like dirt and constantly belittles him. Sultry nightclub singer Mashiko turns Tyler on to LSD. After a nightmarish three day acid trip, Tyler returns to his shabby apartment to find Lisa murdered. Is Tyler responsible for her death? Or did someone else kill Lisa?